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![]() Tip of the Week 21 Grams
Life's a puzzle and, increasingly, talented and ambitious filmmakers
are turning narrative filmmaking into tangled, enigmatic forms as well.
The 40-year-old Mexican filmmaker Alejandro González Iñárritu made his
mark with 2000's "Amores Perros," scrambling the lives of three
Mexico City residents involved in a sudden and damaging car crash.
Working again with writer Guillermo Arriaga and cinematographer Rodrigo
Prieto, Iñárritu transposes a similar narrative to contemporary Memphis,
but splinters the story even farther. The plot of "21 Grams"--which a
blunt speech cites as the weight lost upon death--is almost on the
plangent, bathetic level of soap opera, but Iñárritu and Arriaga's
furious prefiguring of time propels the three central performances into
more of an emotional road wreck than the incident that draws them
together. Sean Penn's mathematician, needing a heart transplant, gets
one after a man dies in a hit-and-run; Benicio del Toro, the
religion-riven, guilt-fraught driver of the ill-fated truck; and Naomi
Watts, depressed, angry and drugged-up after her husband's untimely
death. It's grim yet mesmerizing stuff, particular with Watts'
remarkable wattage: she's the light at the end of a very dark tunnel.
"21 Grams" joins this year's bumper crop of movies--"Mystic River"
and "House of Sand and Fog" are two more--competing for the title of
"feel-bad movie of the year." 125m. "21 Grams" is now playing.
Also by Ray Pride Tip of the Week
The lie of the mind
Childish things
Short Runs
Tip of the Week
Fearless
Potter's field
Short Runs
Blackbird flies next door
Tip of the Week
The revolution will not be realized
I miss the innocence
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