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![]() Custom couture Style
Nestled in industrial flatlands between an auto-repair shop and the
Goose Island Brewery, Dame Couture (1837 West Fulton), a custom
dressmakers' studio, is an anomaly in her neighborhood. But Dame keeps
to herself: A poster adhered to the building's bolted door and two dress
forms peeping through windows on either side of the entryway barely
distinguish the studio space from her surroundings.
Both instructors at Columbia College and the International Academy of
Design and Technology, Holly Greenhagen and Julie Fehler opened in March
with about twenty sample dresses to show for their debut. Falling in
line with dozens of other crafty Chicagoans who are making a profit out
of DIY, they realize clients fantasies by constructing custom-made and
"made to measure" dresses and accessories for anywhere from $300-$2,000.
Greenhagen flips through a flimsy paperback of "I Love Lucy" paper
dolls as she points out the reading material, such as Vogue, The New
York Times Magazine and a book entitled "Icons of Fashion in the
Twentieth Century," that she offers her clients for inspiration or
reference.
Cutting through reams of organza, Thai silk and chiffon, they work
under the influence of thirties, forties and fifties styles. "We thought
we should get some kind of vintage term for woman like `tomato,' `doll'
or `baby,'" Greenhagen says, elaborating on the origin of their business
name. She looks up at the sparse wall decoration: A handful of vintage
hats, fur collars and a single pair of ivory gloves are tacked above the
work table with two old skirt hemmers on shelves nearby.
The partners met six years ago when they shared a studio space while
freelancing for A. Arsenault Clothing Cooperative (previously Made to
Fit). Finishing each other's sewing jobs and offering input on each
other's designs, they realized they were compatible. Greenhagen
describes their partnership as a kind of Ernie and Bert duo--Fehler's
short and Greenhagen's tall, Fehler can sketch and Greenhagen makes
patterns--but she finishes, "we do what we can to make [the designs]
look like they came out of the same brain."
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