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![]() Costume ball Every day is Halloween for the Chic-a-go-go dancers
Gangly four-foot-tall Beautys and Cinderellas trample down the stairs to
the basement of the Chicago Access Network television studio, where the
featured band huddles, suited up in matching Mexican ponchos and straw
sombreros that barely cover their sideburns. Arriving in costume isn't
particular to Halloween for Chic-a-go-go, a public-access dance show
described as "a cross between American Bandstand and Soul Train." The
guests-munchkins, their parents and twentysomethings in the mood for
some limelight--typically dress up to rock out with Miss Mia and her
puppet Ratso.
Staffers lure the dancers into the "green room" with platters of
orange-frosted Oreos, root beer, bagels and chips. "I'm like the
Energizer Bunny," offers one dancing regular who has tapes to prove it.
A "medium-size fries" stands with his arms crossed in the corner,
while a bumbling bee searches for the basket of chips that looms above
her head. Finally it's show time.
"This is our Halloween show, and welcome to Chic-a-go-go," announces
a cheese-head, introducing the first of three episodes he will film in
the next few hours. When the music gets rolling, the princesses aren't
quite sure what to make of Outkast--it's a song about ghosts says Miss
Mia--but the dozen or so Storm Troopers and the bare-chested,
cape-wearing bald guy bump and grind freely.
The children exhibit surprisingly good behavior, except for the kid
who perpetually swings his sword at the ceiling mics from his father's
shoulders. And so do the featured guests-LA-based clothing designer Paul
Frank and a drag king in from Boston.
Also by Jessica Herman Really easy riders
Hiccup to the chief
Material girls
Custom couture
Ziggy lives
Dialogue by design
Spin Control
To the Gill
The art of the discount
Boutiqueville
Unabashedly cheesy
Bird watching
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